Your average porn VAGINA may look tasty, but this is what sound it makes:
(Warning, listening to this can turn you gay forever)
https://up.heyuri.net/src/6115.mp4
https://www.xvideos.com/video.iouvokia4cf/sloppy_wet_squirting_queef_on_table
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So when did Heyuri become the George W Bush FanClub.
Are we Republicans now???

I am filled with unbelievable pain over my lack of a loving loli companion. I want to feel her rising and falling chest, smell her sweet moist breath, feel with my hands her delicate budding breasts, listen to her tiny noises, kiss every inch of her beautiful body

I am in agony over my lack of loli companionship. My heart cannot take this deprivation anymore.

Please, tell me, how do I feel better?

WHERE IS YOUR MASTER NOW?

ｷﾀ━━━(ﾟ∀ﾟ)━━━!!

ｷﾀ━━━(ﾟ∀ﾟ)━━━!!

Professor, please stop doing that

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its that

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al gore should have been the president instead of this schmuck

(USER WAS BANNED FOR THIS POST)

高市のジジイならぬババア、今日この最悪な日にまた靖国参拝かいな。政府の面々、あの神社を本気でなんでも屋やと思っとるんか。宿題が山積みやのに、ほんまにアホちゃうか。(#￣～￣#)

ｷﾀ━━━(ﾟ∀ﾟ)━━━!!

ｷﾀ━━━(ﾟ∀ﾟ)━━━!!

ｷﾀ━━━(ﾟ∀ﾟ)━━━!!

As some of you may know, I have been working on a project to create a singing voice synthesizer. Actually, the actual development is currently on hold, but I am still doing research and planning. The main goal of this project is to create a realistic traditional singing voice synthesizer (although integrating machine learning ideas into it could also be interesting), but side goal is also to recreate VOCALOID2 (actually this was the original goal, but the objective changed early on).

Part of this task is to implement the expression system. I had long realized that there were two separate expression systems, but initially there had been some confusion between what belonged to which. Initially, I worked based on the expression system described in Jordi Bonada's 2008 PhD thesis, in Chapter 3, because this was by far the most complete description. For a long time, I had thought the expression briefly mentioned in the 2003 paper "Sample-Based Singing Voice Synthesizer Using Spectral Models and Source-Filter Decomposition", in part due to the reused figures. Because of this, I referred to this system as the "Bonada 2003" expression system, because that's where I thought it had been described, although only briefly.

Later, I read parts of Jaume Ortola's 2001 Master's Degree. In there, some of the "2001" (or "Ortola 2001") expression should be described. Good detail is provided on the dynamics curves, which use Manfred Clynes' Predictive Amplitude Shaping algorithm. On the other hand, the pitch model is not really described, stating only: "The pitch contour of the singing voice has to be carefully generated in order to obtain a faithful synthesis. So we have designed a mathematical model for reproducing the smooth pitch transitions between notes. This model allows us to control the transition duration and the tuning deviations at the end and the beginning of the notes in accordance with the musical context.".

Nothing about what happens in between the note transitions was stated at all, so this was a total mystery at the time. With what I know now, I am still not fully sure. The basic model is probably either flat lines or linear interpolation between the start and end. On the other hand, looking at the figures, besides the vibrato present in some of them, there is clearly something else as well. In one expired patent I read, the mean was subtracted from timbre variations and those were added on top of interpolated timbre, so perhaps something could be happening like

Comment too long, view post No.190598 to see the full comment.

ｷﾀ━━━(ﾟ∀ﾟ)━━━!!

ふたば☆ちゃんねる　より