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PANTSU MOGIRE BEAM
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lol butt.
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キタ━━━(゚∀゚)━━━!!

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every heyruizen is one of these three i believe ( ´ω`)
5 posts omitted. Click Reply to view.
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purupurupururin
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>>176156
did we watch the same show...? :glare:
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>>176174
what do you mean?
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I'd never let either of those low-testosterone nerd guys into my NEET cave, and if a girl ever came in she'd never leave.
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>>176190
> she'd never leave alive
fixed

how do you treat bugs?
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hell no
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when I lived in a roach infested apartment, I noticed the young roaches specifically would crawl on me :biggrin:
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I never kill them. I always scoop them up and toss them outside, sometimes with a short prayer for them to be reincarnated as humans. I hate seeing anyone kill them so mercilessly. :cry:
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I debug and fix them on my own or I post an issue on a bugtracker :biggrin:

Vocaloid is a tough sell with a niche Western following — and unsurprisingly so. For the unacquainted, the lowdown here is a synthetic voice, modelled on specifically recorded samples from human singers but programmed as midi to voice any lyrics with a range of possible timbre modifications. This software typically comes attached to a luridly marketed, tightly licensed anime avatar (vocaloid being of course a primarily Japanese phenom), and its instrumentals tend to take its synthetic qualities in their stride with ultra-digital production stylings and hyperactive arrangements. If you ever get a chance to hear a proper karaoke freak take a shot at a vocaloid track in the flesh, you get a good grip on the edge of your seat and hold on for all that's dear.


Hatsune Miku, warrior queen of the new musics
The upshot is overstimulating and at times frankly exhausting, but beyond that, I doubt I'm alone in instinctively associating vocaloid with something sinister and distinctly male auteur-shaped: popular vocaloids are almost exclusively female whereas the vast majority of their frontrunner producers are men writing first-person lyrics for mouthpieces explicitly aged as minors (Hatsune Miku at 16, Kagamine Rin at 14). It's a more complex story than projected male fantasies or unchecked indulgence—many of the most recognisable and reputable faces in contemporary J-Pop have their roots in vocaloid (Yoasobi, Kenshi Yonezu, Ado, REOL), while the vocaloid fanbase boasts 50:50 gender parity (not to be confused with the ~80% male V-tuber fanbase!)—and yet, even the most tasteless or unsavoury content I've sampled from J-Pop's cracked-out underbelly was underscored by some indication of earnest expression or willing participation. Vocaloid's uncanny girl-puppetry is thornier to reckon with.

Take Inabakumori and our present case study, his 2019 debut Anticyclone: if you're perturbed by the thought of a male producer, in his mid-20s at the time, using a synthetic voice derived from an elementary school girl to fuel jagged indie rock stormers with distinctly mature perspectives on social awkwardness, emotional turmoil and faltering self-expression, then you simply have your head screwed on right. And yet, there's more than meets the eye here; if Inabakumori is one of many cases where vocaloid invites critical scrutiny, there are several respects in which his take on the form can also reward it (beyond the fact that he sees off a number of indecently well-constructed pop songs).

Let's start with the vocaloid herself. Inabakumori is unusual among vocaloid producers in that he primarily uses Kaai Yuki, who in turn is unique among vocaloids in that her source recordings were provided by a nine-year-old girl and her mascot-character (licensed and designed by the same studio that programmed her) is explicitly of elementary school age. If this immediately screams recipe for disaster, rest assured that Inabakumori's lyrics are not sexual (although many points state or imply a male addressee and the narrator of some tracks is preoccupied by her failure to declare or navigate romantic feelings), and the vocaloid community has shown encouraging rigour in policing the use of Kaai Yuki for perceivably sexualised material. No need to fear the worst, as many caught the wrong side of the Japanese language barrier routinely do.


All the childish fragility you can unbox, break and remake at the touch of a button (trans: Vocaloid Elementary School Student / Kaai Yuki)
The 'creepiness' here is more insidious, partially for aesthetic reasons—it's inherently discomforting to hear the facsimile of a small child asphyxiating herself over phrasings few adult lungs could sustain—but also through Anticyclone's lyrics, as we will soon see. However, in both cases the effect stems from how Inabakumori treats Kaai Yuki's childishness as dislocated and unnatural. He has specifically credited her for a cool demeanour disproportionate to her age, and his music is full of touches that play against her archetype, rather than indulging it for moe kitsch. We hear this best on "Loop Spinner" (#5), a hysterical slew of gymnastic hookwork that summersaults right over the bar of pop ecstasy. It takes until the first chorus for the 'loop' in question is shown to be the same circuitous pish constantly piped into every radio victim's headphones, promises of reciprocated romance, unending gratification et al.:

好きって言葉
saying "I love you":

くるくるくる回るその言葉
round and round and round, those words fly

唇介して思い果たそう
from my lips to bring the feeling to life

繰り繰り繰り返す
again and again and again,

Comment too long, view post No.176184 to see the full comment.
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This image evokes J.G. Ballard’s manglings of errant human desires with technology and is violent enough that the narration seems to stall and we are forced to view it for authorship rather than character. The plea is practically a direct address from Inabakumori himself, scene-setter and disruptor of wavelengths that he is — he leaves us in no doubt whatsoever over the volatile, anxiety-ridden nature of his product, and yet he asks us to tune in all the same. Do so and you'll be ‘rewarded’ with further violence in the song's climax, this time aesthetic: a barrage of flat-handed piano chords and snares, both played in merciless straight eighths, both flaunting their artificial VST trappings in their brutally constant dynamics, impossible to imagine from a human performer. He hits us with what Kaai Yuki has been struggling to get off her chest all this time: a dizzying fit of stimulation, overwhelmingly intense to the point of dissociation, brought about by wilful abuse of technology. Just as he slyly nudges us closer to identifying with Kaai Yuki, she takes on a more serene, intelligible tone than at any other point of the album. After all, it's we, not her, who are in the line of fire for this particular panic attack — all hell has broken loose, and she barely has to hum over it!

One of the album's most resounding highlights practically reads as a satire of a core anime trope (or, less charitably, as a knowing embrace of the same qualities it espouses): the Kaai Yuki of "Cooler Girl" (#4) is an appropriately icy exaggeration of the implacably nonchalant kuudere girl. Her characterisation here stems from a familiar standoffish mystique…

好きも嫌いも別にいらない
I don't care whether you like or dislike me

見透かして、なんて言える立場じゃないわ
it's not my place to expect you to know what's on my mind
…but draws her chronic frostiness to cartoonish extremes, gleefully poking a few toes over the border of body horror:

感情の使用量省エネしたい、したいの
I wanna save the energy I use on emotions

まだあったまった空気吐き出せないのよ
I still can't blow out any warm air

寒いままだね
in this cold state
Even more than "Loop Spinner"'s nauseous entertainment machine, "Cooler Girl" is perhaps the most cogent metaphor for Inabakumori's approach to Kaai Yuki: as a superlatively passive 'agent', she demands rigorous engagement to articulate anything at all, and the more he stress-tests her, the more disturbing and evocative her feats of endurance become. As on "Utsushi Asobi" (Copy and Pastime) and "Namida Denpa" (Tears Radar), Anticyclone's aesthetic peaks emerge where he drops his most unashamed computerised fuckery on her, and its most enduring character standpoints find ample synergy here. The narrator of "Cooler Girl"'s sardonic declarations are nothing if not under duress. One thinks again of Ballard, and finding in his vision of authorship something eerily pertinent to Inabakumori’s clinical acts of sadism:

We live in a world ruled by fictions of every kind […] The fiction is already there. The writer’s task is to invent the reality […] in a sense, the writer knows nothing any longer [...] He offers the reader the contents of his own head, a set of options and imaginative alternatives. His role is that of the scientist, whether on safari or in his laboratory, faced with an unknown terrain or subject. All he can do is devise various hypotheses and test them against the facts.
J.G. Ballard - Introduction to Crash (1995)
All of which offers a new perspective on the duality of Kaai Yuki the schoolgirl character vs. Kaai Yuki the software tool: the latter enables Inabakumori to exploit aesthetics that would never be set before a real nine-year-old, and yet in doing so, and without resorting to anything crass or lewd, he is able to serve up a vision of anxiety, emotional disjuncture, social disconnection and faltering self-expression with a level of complexity seldom afforded to media portrayals of children, all through the inner monologue of a virtual character painfully aware, as so many real kids are, of how much she struggles to speak for herself. Whether or not it's 'true' to the character or biography of Kaai Yuki is besides the point — she is a fiction invented to be reinvented in consumer hands (and sell merchandise along the way), and this plasticity provides a morbid converse for the impressionable frames of real children, who, needless to say, would be a good deal less resilient to the psychological and physiological demands of Anticyclone's performances.


Comment too long, view post No.176185 to see the full comment.
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admittedly I did actually read a good chunk of this

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Need otouto and being the slightly older onee san forever... The loli never leaves you and when you notice it you want to loli again, anyone else??? :blush::blush::blush:

Archduke Franz Ferdinand, heir to austrian throne murdered earlier today at around 11 am :sweat:
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LOL who cares about sum random Austrian archduke? Total nothingburger
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oh the horror :glare:
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Who cares, it's not like it's going to cause a big war :sweat3:

If there any little girls on Heyuri that fit the following requirements, please respond to this thread. But first, here's what I have to offer:

1. Financial stability: I make well below average in my country (Located in my mother's basement in Alabama)

2. Age: I am below 60, but above 40.

3. Attractiveness: Aggregate of various AI rating sites: 1.9/10. First person sources: Two little girls at the playground screamed and ran away saying I was a "monster"

There. Those are the important details. My "personality"? You can figure that out later :kuma6:

With that out of the way, here's who I am looking for:

1. Female, Aged 4-10

2. Located in USA

3. Cute
3.1 Not fat
3.2 White and or Asian

4. Willing to hop in my van (and maybe hit it later... jk.... but srsly, we can get to know eachother first. Something long term :wink:)
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heyuri copypasta :biggrin:
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Nice try, buddy. :lolico:
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キタ━━━(゚∀゚)━━━!!

Why is she doing this?
8 posts omitted. Click Reply to view.
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>>176027
theres always been piss fetishists, its not a recent thing
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>>176027
>>176082
it's just scatfags that have been muddying the waters
no pun intended :vomit:
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>>176027
>The piss fetishists took over lately
Lately? Bruh, I've been posting piss related content for like 2 years.
The site is called 'hey, uri(nate)' for a reason, you know.
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>>176077
It's a cute version of my other known Moniker, PancerzonyMlecz, metal right?

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if you were the opposite sex in an alternate universe (or simply born the opposite sex), how different do you think you would be from who you are now?:unsure: both personality wise and physically.

for example, if you are a lolicon, would your genderswap enjoy shota instead? or continue being a lolicon?; would you style your hair differently? be thinner or fatter? do you think you would differ socially from how you are now? and what your cup size/ PENISsize would be

be as detailed as you wish:nyaoo:or call me a faggot

though i know all the men here would be the tomoko kuroki stereotype as a girl
2 posts omitted. Click Reply to view.
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I'd have as much sex as possible and wouldn't be fat, because of all the exercise from having sex for hours everyday.
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>and what your cup size/ PENISsize would be
It's only logical that your bewb/pen0r size is proportional to your current pen0r/bewb size

Micro PENIS = flat chest
Monster cock = HUEG titties
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>It's only logical that your bewb/pen0r size is proportional to your current pen0r/bewb size
I think PENIS size in reality moar likely determines your would-be clitoris size
Having an above average PENIS means u dodged being born a woman with an ugly VAGINA :sweat2:
...and having a pretty VAGINA means u dodged borning a guy with a micro PENIS :sweat:
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>if you are a lolicon, would your genderswap enjoy shota instead?
I think my sexuality is colored by my experiences and traumas which would be different if I was a girl, so it would be impossibru to say. That said, I would like to be a LOLi. Sign me up.

>do you think you would differ socially from how you are now?
Yes everyone would love me because I would be a cute LOLi instead of a smelly pervert ojisan. I wouldn't be a hikikomori and I would wear a randoseru to school. B-But instead of being lonely I might get molested constantly.. :blush:
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A shota... Or trap?

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rawr!
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>>176183
teh rawr xD
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Goddamn :nosebleed:

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did anyone ever get on heyuri townhall?:nyaoo:
has it always been inactive? or does no one care anymore:blush:
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>>176150
the world would be a much better place if it was like this, everyone would be a cute kaomoji-cat hybrid and their speech would appear in a bubble above their heads

perfect
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>>176160
It was a lot of fun. I'm back on if anyone else wants to join again. ^^
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hachikuji has become a fugitive. if you see him, call the police!
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im thinking about organizing regularly scheduled meet ups on gikopoi just to see if we can get a sizeable party going :mona2: might b fun
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>>176173
There's a bunch of people on there now, we're talking about 9/11 conspiracy theories. :biggrin:

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キタ━━━(゚∀゚)━━━!!
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キタ━━━(゚∀゚)━━━!!
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gokiburu~
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キタ━━━(゚∀゚)━━━!!
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>>176168
holy shit (;゚∀゚)

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is being retarded moe?
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Yes.
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very :biggrin:

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This doll climbed a whole mountain all by herself. What have you done lately?
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raid underwear draws
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Then who was camera?

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If there any girls on Heyuri or any heyurizens that fit the following requirements, please respond to this thread. But first, here's what I have to offer:

1. Unpredictible income. Sometimes lots of money, sometimes none at all, depends on what is my business at a given time.

2. Age: I am below 25, but above 18.

3. Attractiveness: probably decent, I can't judge. I had two girls chasing me in highschool but I ignored one and broke heart of the other one when she got too annoying.

There. Those are the important details. My "personality"? You know it already :nyaoo2:

With that out of the way, here's who I am looking for:

1. Anyone, preferably female aged 15-20, the closer to that the better

2. Located in Poland and of polish nationality or a nationality that I don't find too annoying + exceptions

For everyone:
3.1. Able to trip alone
3.2. Doesn't moan for drugs and money (I am not a bank nor a pharmacy)
3.3. Enjoys things but is not addicted to anything (including nicotine and alcohol too :angry:)
3.4. Not significantly mentally ill from drugs, no significant permanent damage from drug use
3.5. Confidential
3.6. Able to read long posts
3.7. Hates government


Comment too long, view post No.176100 to see the full comment.
7 posts omitted. Click Reply to view.
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>>176105
With DPT, 50 mg snorted. Saw a CEV of a wall made out of clown vomit with undulating pipes running vertically up it and going into it. Had the vague impression that this scenery was alive and sentient but there was no communication. Wasn't super uncomfortable but didn't feel euphoric. Only felt pity for the wall and undulating pipe.

Had several trips at 30 mg by the same ROA, always with good results. Powerfully euphoric, warm, loving and erotic. Felt more like LSD than a high-power tryp.

I don't think I actually would go all the way with DPT even if I have a trusted sitter. Not because DPT is reputed to be weird and scary, but because I've tripped so much that I think I've peeked behind the curtain enough for one lifetime. For me, LSD is pretty mellow, at least at the doses I've taken it (350 ug or lower), and is more psychological than spiritual. I can do that still. Among the Shipibo-Conipo it may be normal to ingest ayahuasca regularly beginning from adolescence, but without the cultural foundation they've built around it, and also the fact that I'm a hikikomori, I think going further with those sorts of trips would be gambling with my sanity.

What about you?
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>>176121
Have you experienced clinical insanity? :nyaoo2:
Not a bad trip, but actual psychiatric insanity
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Ooohhh u meant trip like acid, that makes more sense
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>>176128
"Clinical insanity" is a bit of an oxymoron as clinicians no longer use the term insane. I did have a nightmare trip on AL-LAD that I'm surprised I came back from though. Now I've had other bad trips, but on this one rather than the usual psychedelic ego-dissolution, I felt my ego fracture into pieces. More like a dissociative effect. It was like I had a dozen different inner monologues speaking in unison, a dozen different selves. That's not something you'd expect from that drug, even in a bad trip.

Thankfully no symptoms have ever persisted beyond the duration of a drug's action. There have been changes in mood and personality, but not hearing voices or seeing things.
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rabbitfield i am not polish but i can be a bro you can hang with (゚ー`)


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